So, what have we been missing in between? Well, features like the ones found in tools technical translators use (e.g., memoQ, Wordfast, and Trados Studio)- although we also have our own options, kind of. Although some things have changed in the past few years, professional subtitlers working for direct clients like production companies, or even film directors themselves, have been using the same resources for a while now: free software and software that’s too expensive for some freelancers.

We rapidly went from receiving physical materials to subtitle to logging into our clients’ servers to download media and then email back the subtitles. In audiovisual translation (AVT), however, despite technical improvements and innovations in apps from streaming services, it sometimes feels like we subtitlers are still working in much the same way we did back in 2000.īack then, we faced a huge leap in methodology and tool availability. The overwhelming presence of neural machine translation (NMT) in every translation suite, plus the constant improvement of technologies (e.g., upLIFT from SDL Trados Studio) are changing the way we approach translation with almost every project. Translation environment tools are steadily improving. Review on subtitling translation tools (July 2020), originally published on Jost Zetzsche’s Tool Box Journal.

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